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October 30, 2018

The final shots I have left to animate were the hardest. I had to animate in kind of slow-motion, make appropriate environments and do a very basic rig on the character. It wasn't that those were that hard to do but I wasn't sure if they would end up looking too differ...

July 12, 2018

I completed the dream sequence using oil on glass again, which is becoming one of my favourite techniques. One of the biggest problems was the reflection from the lighting, which meant that I had to direct all my brushstrokes in specific ways so that the image wouldn't...

February 10, 2018

With some minor setbacks, filming went through successfully over a couple of days, and we were able to shoot and edit our 3 films successfully. Some issues we had were the camera's battery, our set being moved around and some of the paint drying, but we were able to ge...

February 5, 2018

As we slowly moved away from the more narrative aspects of the project and more into the immersive/ performative sides of it, we considered changing the the materials we were using. While shapes can be abstract, we did consider that they would only be on a flat surface...

February 3, 2018

For the personal project this term, we have to look at expanded animation beyond the flat screen. As a collaboration with MA Sound Art, we have to respond to a specific sound art piece for our work. I am working with Bibie Wataniyakun and Ashiela Amara for this project...

January 29, 2018

The printmaking animation exercise this term has been really exciting for me as I got to work with new materials and think about animation in a new way. The different techniques we used all inspired a different way of constructing movement. Working on a small format wa...

October 18, 2017

Today we were looking at rostrum based animations and had another quick collaborative project. My group had a lot of fun making a story and setting out of existing materials, especially when we started breaking out of the 2D space. We did make it quite crammed and erra...

October 11, 2017

The Animation Techniques introduced a lot of different animations, things that can be done quite simply and without a lot of resources, and which can have a very handmade, unique feel to them. Incorporating the animation into the real world in one way or another create...

September 27, 2017

Cameraless animation workshop with Lizzy Hobbs

It was really interesting to see early experimental animation techniques - Len Lye's Colour Box, Stan Brahkage's Mothlight, Norman McLaren's Blinkety Blank were really inspiring in that they engaged directly with the physic...

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October 30, 2018

July 22, 2018